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A baseline out-of-bounds set that uses an away screen to free 2 for the inbound at the top. The inbounder clears to the corner, 3 lifts, and 5 follows with a ball screen for 2 to attack the paint or hit the lifted shooter.

Baseline out-of-bounds set against man defense. The first look is 4 cutting to the weakside block off 1's back screen; 1 then uses a double screen from 5 and 3 for a wing jumper, with 3 slipping to the rim as the counter.

Baseline out-of-bounds set using 5's cross-screen to free 4 for the entry. 4 then hands off to 1, who attacks 5's ball screen while 5 rolls and 4 pops to the corner.

Baseline out-of-bounds set that clears the middle and sends 2 curling around 4's screen to receive the inbound. After catching, 2 looks back to 4 flashing into the open right-side gap.

Baseline out-of-bounds screen-the-screener action that creates a quick rim look before sending the original screener off a second screen to the opposite side. Read the cutter at the basket first, then hit the receiver coming free on the screen-the-screener action.

A box baseline inbound that frees the first receiver before sending the inbounder around a double screen to the opposite wing. Look for the inbounder on the curl, with the initial receiver available as the safety outlet.

Baseline out-of-bounds entry to 5 on the right side as 2 clears to the weak-side wing. The inbounder curls around 5 for the handoff and attacks the middle, reading the lane or help-side rotation.

Baseline out-of-bounds set that clears the right side for an entry to 4. The inbounder circles around 4 for a dribble handoff, looking to turn the corner toward the lane while 4 reads the roll or return pass.

Against a 2-3 zone, 4 inbounds to 5, who reverses to 1 as 2 screens the middle defender for 4 to flash inside. If the flash is covered, 5 screens the outside defender and 2 pops to the corner for a three.

Baseline out-of-bounds set that flows into a backdoor opportunity for 2 after the ball is advanced to 5. The primary read is 2 cutting behind an overplaying defender for a pass at the rim.

Baseline out-of-bounds set that clears the perimeter and lifts 3 to receive the entry. 5 then sets a middle ball screen for 3 and rolls, creating a drive-or-roll read with shooters spaced around the arc.

A baseline out-of-bounds delay set against man defense. The 5 flashes high as a decoy while 4 leaks up the sideline for the entry, then 5 screens down for 2 to curl into a shot.

Baseline out-of-bounds lob designed for a 2-3 zone. The cutter clears toward the corner, then loops along the baseline to the rim as the two posts screen or seal the low zone defenders; the inbounder reads the opening for the lob.

BLOB action that screens 4 to the inbound pass, then flows into a handoff for the inbounder while 5 down-screens for 2. The ball handler can attack, find 2 off the screen, or hit 4 rolling to the rim.

Baseline out-of-bounds lob set that clears the lane before 4 screens for 5 to curl hard to the rim. The inbounder looks to throw the lob as 5 turns the corner, with the perimeter clears providing space.

Box baseline out-of-bounds set that enters safely to 3 before sending 1 through floppy action. Read the defender and bring 1 off either the single screen or the stagger for a catch-and-shoot or curl.

A baseline out-of-bounds play from a box. The ball-side post crosses the lane to screen for the other post, then the weak-side elbow screens down for that screener. Two defenders have to guard two screens in a second, and the one who helps on the first cut leaves the second open.

A baseline play from a double stack along the ball-side lane line. 2 cuts off the double screen to the rim for the first look. If that is covered, 2 seals across the lane while 3 loops from the weak-side slot around the arc and off the same double to the ball-side corner for a three.

A four-frame baseline sequence. 5 frees 3 for the entry pass, then 4 and 5 zipper the inbounder (1) onto the floor for the return pass. As 1 dribbles to the top, 3 clears the lane and the same pair screens 2 to the weak-side wing for a shot.

A four-frame baseline play against a zone. The entry is reversed to the top, then the inbounder flies to the right wing. An interior stagger sends 5 behind the zone, and a screen-the-screener action frees 3 in the right corner while 2 lifts to the other side.

Four-low baseline inbound against man defense. After the entry to 5 and reversal to 2, 4 sets a flex screen for 3, then uses 5's down screen in a screen-the-screener action; read 3 at the rim first, then 4 coming off the screen.

A baseline play from a tight line alignment. A cut to the corner and a clearing action open a passing window to 5 inside after the screen.

A baseline play where two players form a tight stagger for consecutive curling cutters. The inbounder looks first for 3 attacking the rim, then for 1 continuing through the same action to the right side.

A baseline play against a 2-3 that shifts the zone to the ball side and reverses it. Three players clear or cut through the paint, the entry goes to the right corner, and the ball comes back to the top before the inbounder circles into the right wing for the last pass.

A four-frame baseline play. 2 screens for 4, who comes off to the left block. The ball enters to 2, and 5 screens for 2, who comes off to the left corner. After the ball is reversed, 3 back screens 5 and 4 screens 3. The final read is 5 cutting to the rim, with 4 available as the release.

A late-clock baseline play for a corner three with two backups. Four players stack on the ball-side lane line. On the slap the top player pops to the top of the key, the next dives to the left block, and the two posts step up into a double stagger.

A baseline play from a ball-side stack that works toward a lob. 3 releases as the safety, 4 cuts to the corner to pull help, and the big wheels around 2's back screen toward the ball for a lob at the rim.

A baseline play that becomes a side ball screen. 5 steps up the lane for a high entry, the inbounder steps onto the floor to get it back on the wing, then 5 climbs into a ball screen and rolls.

A baseline play against a zone. 3 clears, a screen is set on the middle of the zone, and 2 slashes to the weak-side corner. If 2 is denied, the inbounder hits 5 flashing into the middle.

A sideline play. 5 back screens the ball-side guard toward the far corner, then screens away so 4 can pop out for the entry pass.

A sideline play for a late three. 5 back screens the shooter's defender to send the shooter to the rim, then shapes up to receive the inbounds pass. 2 relocates off a staggered down screen from 4 and 3 to the opposite wing. The shooter's defender must trail through the stagger.

A half-court sideline play from a box. 5 steps out for the entry, 3 steps out for the reversal, and the inbounder runs the baseline off a double screen from the two block players to catch on the far wing.

A four-frame sideline play from a four-across line just above the arc. 3 steps to the ball as the release while 5 dives to the block to post. 4 sprints to the elbow and back screens 3 for a lob at the rim.

A sideline play for a late three. 1 V-cuts to the ball while 4 and 2 scissor off 5 at the free-throw line to occupy the help. 5 then screens 4 back above the arc for a safe entry. The moment 4 catches, 5 re-screens for 2, who pops from the lane out to the far wing for the three.

A sideline out-of-bounds play for a last-second catch and finish. Three players stack on the left lane line. Two decoys, a cut to the near corner and a curl toward the ball, pull the defense away from the rim.

A sideline out-of-bounds three-point play. 3 cuts hard on the baseline off a screen from 5 while 4 flare screens for 1, and 5 shows back to the ball for the pass from 2, the inbounder. Then 4 screens for 2, who cuts hard to receive a pass from 5 for a three.

Sideline out-of-bounds set using crossing cuts and a down-screen to free 1 for a catch-and-shoot three. If 1 cannot shoot, 5 clears and 2 runs off staggered screens from 4 and 3 for a second wing three.

Inbound to 5 as the weak side clears and 4 lifts to the corner. The action flows into a right-side ball screen for 5, with the primary read to attack the lane and the secondary read to hit the corner or the inbounder relocating weak side.

A sideline out-of-bounds play near midcourt for getting the ball in safely against full-court man-to-man. Three players clear long and wide to pull their defenders away, and the fourth screens and then releases toward the inbounder for the safe catch.

End-of-game sideline inbound built around screen-the-screener action. 3 screens across for 2 to receive, then uses 4's back screen to cut to the rim; read the lob first, with 4's release as the secondary option.

A full-court sideline play near the far free-throw line extended. 3 and 4 set a staggered screen so 1 can catch the diagonal entry in the frontcourt. 1 dribbles into a hand-off for 2, 4 turns and screens the ball, and on the back side 3 back screens 5 for a lob.

A sideline play with three three-point looks. 2 pins down for 3 to pop to the top. Then a screen-the-screener sends 2 off a double from 4 and 5 to the corner. If both are covered, 5 pops back for a safe inbounds, 4 clears, and 3 back doors to the rim.

A sideline play. 5 down screens for 1 to get the entry pass, then the inbounder (2) sprints the baseline off a triple stagger from 5, 4 and 3 for a catch-and-shoot three on the far side.

A half-court sideline play from a three-player wall across the foul line. 1 breaks high off the wall to receive the ball. 2 back screens so 3 can enter off the sideline and cut to the rim.

From a 4-high alignment, enter to the wing and send 1 on a cut off the high post into a screened baseline exit, then reverse the action to free 2 on the opposite side. Finish with 5 stepping up for the middle ball screen, reading the roll first while the weak side clears.

From a 4-high alignment, 3 cuts over the top of the 5 and 4 screens to receive from 1. The bigs then flow into a double high ball screen, with 4 rolling and 5 popping as 3 attacks the middle and reads the help.

From a 4-high look, 3 runs a cut over both elbow screens to receive the ball on the right wing. After 4 clears through, 5 steps into the side ball screen and slips early to the rim; hit the slip against an aggressive show or turn the corner if the defense stays home.

A 2-out-3-in zone action that sends the weak-side baseline players across to overload the opposite side while the high-post player dives behind the defense. Reverse the ball to the wing and force the low defender to choose between closing out and protecting the baseline target.

A zone set that sends 3 along the baseline while the ball reverses from 1 to 2. The interior players screen and seal the low and middle defenders, opening 3 near the rim; read the baseline finish first and the overload behind the shifting zone second.

A 3-out-2-in backdoor set that sends the wing along the baseline off interior screening while the posts dive toward the rim. The point guard reads the backdoor pass first, then looks for the secondary cutter or interior finish.

From a 2-out-3-in alignment, the point guard enters to the wing, cuts through, and 4 flashes high for the reversal. The wing loops along the baseline off three screens, and 2 curls back to 4, creating the primary catch with the screened baseline cutter as the secondary read.

From a box set, 1 uses the right-elbow ball screen while 3 back screens for 5, sending 5 toward the rim. The continuation creates a curl to the right slot, with 1 reading the cutter first and the screener’s roll or pop next.

From a box alignment, 2 exits to the wing for the entry while 3 clears to the corner. 4 cross-screens for 5, then clears opposite as 2 feeds 5 for a post-up; the key read is 5's seal after the screen.

From a box set, 1 moves the ball to 5 on the wing and cuts off 4 to the rim as the weak side clears. The ball reverses to 4 at the top, who looks to hit the cutter at the rim.

From a box alignment, the guard dribbles to the wing while the weak side clears. The interior action sends 5 across the lane off 2's cross-screen, then 4 screens the screener to free 2 at the top; read the post seal first and the perimeter shot second.

From a box alignment, 1 attacks off the side ball screen while the other three players cut and exchange to occupy help defenders. Read the roll first, then the cutter or perimeter replacement if the defense collapses.

From a box alignment, 3 zipper cuts up the lane and uses 5's flare screen for the primary three-point look. If that is covered, 2 pops to the corner off 4's screen; the final read is a 5-3 ball screen to attack the lane.

From a box set, 3 zipper cuts for the entry while 4 screens 2 out to the corner. 5 then ball-screens for 3 as 1 down-screens for 2, with 3 reading the drive, corner option, or a dump-off/lob to 4 behind the help.

A 4-out-1-in chin-cut sequence that flows through a perimeter reversal before 2 makes the chin cut off 5's back screen. Look for the backdoor layup first; if it is denied, 2 exits off 5's second screen for the perimeter catch.

A 3-out-2-in zone set that enters to the wing and feeds the shooter popping to the corner as the opposite post flashes to the ball-side high post. The wing cuts through to the opposite block, then the point guard returns for reversal if the corner shot or high-post touch is unavailable.

From a 4-out-1-in alignment, 1 uses 4's ball screen while 2 cross-screens for 5. After 5 flashes across for the post entry, 4 screens for 2 in a screen-the-screener action, giving 1 the read between 5 inside and 2 coming free on the perimeter.

From a 4-high alignment, 1 enters to 2 and cuts through as 5 cross-screens for 4 to sprint into a wing ball screen. After screening, 5 seals deep while 2 and 4 play pick-and-roll, creating reads at the rim for the roll or the post seal.

A 3-out-2-in set that sends the wing through a double baseline screen before replacing the top. The ball reverses to the replacing guard, then the high post flashes to create a high-low entry for the sealing low post.

1 exits the lane off a double elbow screen to receive the pass on the wing, with a single-screen variation using 5. The screeners clear the paint and give 1 space to attack one-on-one.

From a 3-out-2-in alignment, 1 initiates a dribble handoff with 2, who continues into a second handoff with 3. The action flows directly into 5's ball screen for 3, hunting a downhill drive or the screener's roll.

4 and 5 set a double stagger to free 2 for a catch at the top. After the pass, 2 clears the lane and 5 follows into a high ball screen, hunting the drive or roll read.

From a 3-out-2-in alignment, 4 down-screens for 3 while 5 back-screens 1 to the block. After the entry to 3, 5 sets the ball screen and rolls as 4 pops to the high post, with the kick-out to 2 available if help collapses.

A 4-out-1-in set that reverses the ball, then uses down-screen action to bring a guard into a handoff with 5 near the elbow. The guard turns the corner toward the rim, reading the on-ball defender and 5's defender.

A 4-out-1-in handoff series with two entries: a 4-to-3 dribble handoff or a double-screen setup into a handoff with 5. The receiver turns the corner to attack the paint, reading the drive first and the screener’s defender if help steps up.

From a 4-high alignment, 1 dribbles at the wing as 3 loops over 5 to replace at the top. On the reversal to 2, 1 cuts baseline off 4 while 5 flare-screens for 3; read the baseline cut first, then the flare return.

In early offense, 1 advances on the right while 4 down-screens for 3 to come toward the top. After 3 receives, 5 sprints into a high ball screen and slips immediately, hunting the pass at the rim before the defense can organize.

Against denial pressure, both posts flash to the elbows while one wing cuts to the block and the other back-cuts through to the corner.

From a 4-out-1-in alignment, 1 enters to 3 and cuts off 5 at the elbow, looking first for the cutter at the rim. If that is covered, 5 follows with a wing ball screen for 3 and rolls, creating a two-man pick-and-roll read.

A 5-out reversal sends 4 along the baseline and brings 1 across to the weak wing. From there, 5 sets a pin-down for 2 to curl into the middle; hit 2 if the defender trails the screen.

From a 5-out alignment, 2 sets the rip screen to send 4 into the post, then receives the reversal from 1 and punches the ball inside. On the weak side, 3 works off a stagger from 5 and 1 to occupy help and provide the post player a secondary read.

A 4-out-1-in zone set that shifts the defense with a reversal before screening the top defender for a flare to the wing. Hunt the skip pass for a clean perimeter shot, with the screener available inside if the zone overextends.

A 4-low floppy set with 2 and 3 exiting to the left off the interior screening action while 4 releases to receive the entry on the right wing. It hunts a clean catch for either perimeter cutter, with 1 relocating after the pass to maintain spacing.

Reverse the ball across the perimeter while the wing flies along the baseline behind the zone. The two interior players screen the low defenders, creating a lob at the rim or an overload-side opening if the back line collapses.

A 4-high set that opens with a cut off the high-post screener, then flows into screen-the-screener action. The wing looks first for the cutter off the cross-screen, then for the screener curling off the down-screen.

From a 4-high alignment, the entry to the wing sends the point guard through the lane and out to the weak-side corner while the posts shift to clear the middle. The wing then attacks off the 4's ball screen, reading the drive or the 5 finishing along the baseline.

Start in a four-high line, reverse the ball as the perimeter players exchange through staggered screening action. The final shooter loops into the lane and curls off a pin-down to the wing for a catch-and-shoot three, with the curl available if the defender trails.

From a 4-high alignment, the point guard enters to the wing and cuts through while the opposite elbow clears to the corner. The ball returns to the wing for a middle drive off the 5's screen, with 5 diving to the rim as the primary read.

4-high continuity that flows through repeated side pick-and-rolls, ball reversals, and coordinated cuts. The handler attacks the screen looking first for the roll, then reverses the ball to continue the action if the defense contains it.

4-high set with an initial wing exchange that sets up 3 for a backdoor cut and a pass from 1. If the backdoor is denied, 3 clears to the corner and 1 uses 4 at the pinch post for the secondary action.

A four-out weave that moves the ball across the perimeter while guards cut through and exchange spots. The action flows into successive handoffs and screening opportunities, hunting a driving lane or a hit to the screener.

The ballhandler flows into a dribble handoff with 2, followed immediately by 4's ball screen as 1 clears the side. On the drive, 4 rolls and 5 ducks in from the weak-side block, giving 2 two interior targets.

Run a wing handoff directly into a ball screen, then swing the ball across the floor. The weak-side action sends 4 inside for the punch entry, with the key read being the post seal after the defense shifts toward the handoff and ball screen.

Against a 2-3 zone, 1 initiates a handoff with 2 as 4 dives behind the defense and 3 settles on the weak-side perimeter. The ball is reversed to 3 while 5 holds the high post and 4 fills the short corner, creating a high-low overload on the right side.

A Chin-series continuity that opens with a DHO and pindown, then flows into a down screen for 1 and a back screen for 2. If the cutter is not open at the rim, 5 steps up to ball-screen for 3 to attack the cleared side.

From a 4-high alignment, the point enters to the high post as the weak-side big back-screens the wing toward the rim. The counter uses a screen-the-screener action to free the big on a curl to the basket, with the high-post passer reading either cutter.

The 5 flashes to the high post for the entry as 2 clears through and 1 replaces. The 4 screens for 3, then 5 dribbles at 3 for a handoff designed to turn the corner into the lane.

From a 4-out-1-in alignment, enter to the wing and send the opposite guard and wing through consecutive high or low cuts off the high-post screener. Look for the cutter at the rim or on a brief post-up, while the screener slides to the opposite block and cleared cutters maintain spacing.

Zone offense that reverses the ball to 2, then sends 1 on a hook cut around a double screen from 5 and 3. The action hunts 1 on the right wing while occupying the low and middle zone defenders, with 2 reading the wing pass or an interior opening.

From a horns alignment, 2 sets a back screen for 4's cut to the rim while 1 shifts the ball to the right side. If 4 is not open, 2 exits to the wing, receives the reversal, and looks inside to 4 sealing after the cut.

A horns entry that uses a ball screen and baseline exchange to shift and overload the zone. Reverse through the high post, then read the corner, middle flash, or skip as the back line rotates.

From horns, 1 hits 4 on the pop and clears to the wing. 4 then uses 5's ball screen as 5 rolls hard to the rim, reading the roll pass first before turning the corner to score.

From horns, 1 enters to 5, cuts off 4 toward the rim, then comes back around 5 to regain the ball. The action hunts a clean handoff turn while forcing 1's defender to trail through multiple screening actions.

From a horns alignment, the point guard enters to the wing and clears as both bigs form a double high ball screen. The ballhandler turns the corner while one screener rolls to the rim and the other shakes out to the opposite corner; read the roll first, then the kick-out.

From a horns alignment, 1 enters to 5 and joins 4 to screen for 2 lifting out of the corner. As 5 works across the top, 3 cuts from the weak-side corner to the rim; read the cutter first, then the perimeter action.

From a horns alignment, the point enters to the elbow and clears while the opposite elbow makes a 45 cut to the rim. The elbow then flows into a handoff with the lifting corner, reading the rim cut first before turning the corner.

From a horns alignment, enter the ball to 4 at the elbow and clear the other four players to the opposite side. The action creates an elbow isolation for 4 to attack one-on-one with the paint opened up.

From horns, the corners lift as the elbow players clear, and 1 enters to 3. The ball flows into a 3–5 handoff while 1 uses the backside stagger to cut backdoor; look for 1 when the defense trails or overplays.

Enter to the elbow and clear the point guard as the weak-side guard uses a pin-down into a dribble handoff. The handoff flows into a ball screen, hunting the drive while reading the roller or the corner kick-out.

From a horns alignment, 1 enters to 5 at the elbow and clears to the wing. 4 pins down for 3, who takes a DHO from 5 and attacks while 5 dives and 4 pops; read the drive first, then the roll or pop.

From a horns alignment, 1 enters to 4 and slices off 5's back screen before using 2's screen to reach the corner. After the reversal to 1, 4 and 5 screen for 2 to pop to the top for a three.

From a spread alignment, 4 pins down for 2 to receive on the wing while 1 clears to the weak side. The action flows into a middle ball screen from 5, with 2 attacking the lane and reading 5's roll as the floor stays spaced.

From a 4-out-1-in pistol alignment, 1 dribbles to the wing while 5 widens to screen for 2. The primary read is the lead pass to 2 curling off the screen toward the rim when the defender trails.

From a 4-out-1-in alignment, 1 uses 4's high ball screen and hits the pop before clearing through. The ball is reversed to the lifted wing for a punch entry to 5, with the key read being the isolated post-up or a kick-out if help collapses.

A quick hitter against a 1-3-1 zone that shifts the zone with a wing entry and reversal before attacking the top gap. The ballhandler reads the two cutters flashing into the middle or throws back to the wing fading into the corner.

Reverse the ball as the point guard cuts through and exits to the opposite side, then use a dribble transfer to set up a double chase ball screen. The handler attacks behind both screeners and reads the roll to the rim, the pop, or the weak-side kick-out.

Reverse the ball against a 2-3 zone, then screen the weak-side low defender as the wing cuts hard to the rim. The primary read is the lob over the back line before the middle defender can recover.

A zone set against a 2-3 zone that reverses the ball before 5 pins the middle defender and 2 loops through the lane. On the weak side, 4 screens the bottom defender to free 3 for a perimeter catch, with 1 shortening the passing angle off the dribble.

A 4-out-1-in zone set that places the wings in the gaps between the top and bottom defenders. Reverse to 2 and read the short corner, high-post flash, or skip; on a high-post catch, the short-corner player cuts backdoor.

From a 4-out-1-in alignment, 3 slices through the lane off 4's screen to clear the right side. Then 1 cuts diagonally out of the corner through a stagger from 4 and 5, looking for a clean catch at the top.

Out of transition, perimeter exchanges and a slice cut shift the defense while clearing the right side. The slicer catches on the wing and uses 4's ball screen, reading the drive or screener's roll.

The guard enters to the wing as 2 slices along the baseline to the opposite corner, then the ball is reversed back to 1. On the reversal, 4 back screens for 3 while 2 uses 4 and 5 as a double stagger for a catch and shot, with the curl available if the defender trails.

The weak-side wing slices across the lane off 5's screen and clears to the opposite side. The ball is reversed to 3, who attacks a middle ball screen from 5 with the roll as the primary read.

From a set with 4 and 5 stacked on the ball side, the point guard hits the wing and clears opposite while 5 sets a rip screen for 4 to dive to the ball-side block. The wing looks for the immediate post entry or uses 5's ball screen as 4 seals inside.

A 3-out-2-in blocker-mover set that sends perimeter players on looping cuts around staggered screens from 4 and 5. It hunts a curl to the rim first, then a clean wing catch for the circling shooter.

From a 4-out alignment on the empty side, 2 runs across a stagger from 4 and 5 while 1 dribbles right and delivers to the corner. After screening, 5 slips to the rim for the return pass if the defense chases the cutter.

Enter to the wing and send the point guard off a back screen to the block. The screener follows with a wing ball screen while the point guard comes off a weak-side double screen; read the cutter first, then the slipping second screener.

The ball advances on the right as 5 sets an upscreen for 2 to cut to the rim for the lob. If the cutter is denied, 1 hits 2 on the wing and 4 follows with a ball screen to create a lane drive.

A dribble handoff initiates the action as 3 cuts to the block, then uses 4's pin-down to receive on the wing. 3 can shoot or rip and drive, with 2 using 5's flare screen as the next perimeter read.

A 4-out-1-in Punch series that establishes a wing entry and works through the post. The Dive option sends a cutter hard to the rim as the weak side clears, while the Flare option creates a corner relay for the post re-entry; read the cutter first, then feed the post.

The point guard advances the ball to 2 on the wing while 5 and 1 clear the strong side. With the floor spread, 2 attacks the open middle in isolation and reads the rim or help.